No info available.

• Sight and Sound Magazine, Top Ten Video Essays of the Year - Sight and Sound Magazine (British Film Institute) (12/01/2020-12/31/2020)

• Ph D in Film and Digital Media Production, University of Pittsburgh (2018)
• MA in Literary and Cultural Studies, Carnegie Mellon University (2010)

• Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator.” Journal of Cinema and Media Studies (JCMS) Prev. Cinema Journal. Spring 2021 (in press), Katie E. Bird.
• Feeling and Thought as it Takes Form: Early Steadicam, Labor, and Technology (1974-1985) [in]Transition: Journal of Videographic Film and Moving Image Studies 7 1 (2020), Katie E. Bird.
• The Editor’s Face on the Cutting Room Floor: Fredrick Y. Smith’s Precarious Promotion of the American Cinema Editors, 1942-1977” The Spectator (special issue: “System Beyond the Studios") 38, no. 2, (Fall 2018): 9-19. 2 (2018), Katie E. Bird.
• "Dancing, Flying Camera Jockeys’: Invisible Labor, Craft Discourse, and Embodied Steadicam and Panaglide Technique from 1972 to 1985." Velvet Light Trap/University of Texas Press 80 1 (2017), Katie E. Bird.

• (Accepted, Cancelled due to COVID) Imagining a Feminist Cinematography through Organizational Politics: A History of Behind the Lens-an Association of Professional Camerawomen, 1984-1996 (2020), Volume Dublin, Ireland, Katherine E. Bird.
• (Accepted, Conference Cancelled due to COVID-19) Whether They Want it Or Not’:Selling Photography Screen Credits to 1920s US Moviegoers (2020), Volume Maynooth University. Dublin, Ireland,, Katie E. Bird.
• (Accepted, Cancelled Due to Covid) Extorting Labor and Preserving Grip History:vIATSE’s Propaganda and Promotion of Local 37" (2020), Volume Denver, Katie E. Bird.
• “The DIY History of Behind the Lens: an Association of Professional Camerawomen,1984-1996” (2019), Volume Seattle, WA, Katie E. Bird.

No info available.