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• Ph D in Film and Digital Media Production, University of Pittsburgh (2018)

• Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator.” Journal of Cinema and Media Studies (JCMS) Prev. Cinema Journal. Spring 2021 (2021), Katie E. Bird.
• Feeling and Thought as it Takes Form: Early Steadicam, Labor, and Technology (1974-1985) Journal of Videographic Film and Moving Image Studies ([in]Transition) (2020), Katie E. Bird.
• The Editor’s Face on the Cutting Room Floor: Fredrick Y. Smith’s Precarious Promotion of the American Cinema Editors, 1942-1977” The Spectator (special issue: “System Beyond the Studios") 38, no. 2, (Fall 2018): 9-19. 2 (2018), Katie E. Bird.
• "Dancing, Flying Camera Jockeys’: Invisible Labor, Craft Discourse, and Embodied Steadicam and Panaglide Technique from 1972 to 1985." Velvet Light Trap/University of Texas Press 80 1 (2017), Katie E. Bird.

• (2020), Volume Denver, Katie E. Bird.
• “The DIY History of Behind the Lens: an Association of Professional Camerawomen,1984-1996” (2019), Volume Seattle, WA, Katie E. Bird.

No info available.